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John Lee Hooker Songs, King of the Boogie 10 Best John Lee Hooker Songs, King of the Boogie

Fahey & Miller 2013, p.481: "Among those [Milburn's alcohol songs] is the famous 'One Bourbon, One Scotch, One Beer,' which was redone by many artists, including John Lee Hooker". Cook, Stephen. "John Lee Hooker: The Real Folk Blues–Review". AllMusic . Retrieved September 4, 2022.

Whiskybase B.V. is the Dutch private limited liability company, having its statutory seat in Rotterdam, The Netherlands and its office at Zwaanshals 530, 3035 KS Rotterdam, The Netherlands. Whiskybase B.V. is registered with the Dutch Chamber of Commerce under no. 52072819. Poling, Dean (March 19, 2010). "Bad to the Funny Bone: A Strange Conversation with George Thorogood". Valdosta Daily Times . Retrieved April 2, 2010. Whiskybase ID WB62283 Category Bourbon Bottler Distillery Bottling Bottling serie Straight Bourbon Whiskey Casktype Oak Barrels Strength 40.0 % Vol. Size 700 ml Bottle code L426872-00714 Barcode 3012993050501 Bottled for French Market Market France Added on 13 dec 2014 11:33 am by karloff

John Lee Personal Reserve - Ratings and reviews - Whiskybase

This is mild and sweet. At first it’s very ”grainy” and the distillate is very pronounced. When the flavours start to come through it’s vanilla, toffee and dusty corn together with honey and a thin fruity note. Written by John Lee Hooker Originally written by Rudy Toombs Language English Adapted from One Scotch, One Bourbon, One Beer written by Rudy Toombs We may sell, license, transfer, assign or in any other way dispose of the Service (including Members) to any third party without any notification to you, e.g. (but without limitation) in connection with any reorganization, restructuring, merger or sale, or other transfer of assets. Unless mandatory applicable law provides otherwise, your use of and membership to the Service are exclusively governed by Dutch law. We shall first try to settle any dispute over a dram of whisky. Disputes that cannot be settled over multiple drams of whisky shall be solely submitted to the court of Amsterdam, The Netherlands unless mandatory applicable law provides otherwise. One Bourbon, One Scotch, One Beer" (originally " One Scotch, One Bourbon, One Beer") is a blues song written by Rudy Toombs and recorded by Amos Milburn in 1953. It is one of several drinking songs recorded by Milburn in the early 1950s that placed in the top ten of the Billboard R&B chart. [1] Other artists released popular recordings of the song, including John Lee Hooker in 1966 and George Thorogood in 1977.Each and every Member must be of legal drinking age in its country of residence to be allowed to use the Service. If no such law exists in a Member’s country of residence, the Member has to be over 21 years old to use the Service. We have the right to ask you to provide proof of your age and/or to provide further identification to prevent underage usage and/or for any other legal or legitimate purpose. By using the Service, and by creating an account you represent, warrant and confirm that you are of legal age.

One Bourbon, One Scotch, One Beer - Wikipedia One Bourbon, One Scotch, One Beer - Wikipedia

You are responsible for all activities through your account. You are responsible for the accuracy of the information you provide to us in relation to your account, and for updating it where necessary. You are not allowed to create multiple accounts. We may terminate or temporarily suspend your account to protect you, ourselves or our partners from (suspected) identity theft or other (suspected) fraudulent (e.g. false, misleading, deceptive) activity. You have the obligation to keep your login credentials confidential. You shall not authorize any others to use or access your account. Fahey, David M.; Miller, Jon S. (2013). Alcohol and Drugs in North America, Volume 1:A–L. Snta Barbara, California: ABC-CLIO. ISBN 978-1598844795. Use italics (lyric) and bold (lyric) to distinguish between different vocalists in the same song partSubsequently, when Milburn performed at clubs, he "incorporated three shot glasses lined up across the top of his piano [which] were filled more often than they should have been by obliging fans or by Milburn himself". [6] Several of Milburn's contemporaries commented on his indulgence; Milburn added "I practiced what I preached". [6] The song is included on several Milburn anthologies, such as Down the Road Apiece: The Best of Amos Milburn (1994, EMI America) and Blues, Barrelhouse & Boogie Woogie: The Best of Amos Milburn (1996, Capitol Records). [2] John Lee Hooker [ edit ] Hooker honed the blues into something new – a grinding, hymnal vamp, which he finessed for all it was worth. Hooker’s essential sound dispensed with the usual 12-bar blues progression to throw the focus on the thrust of the rhythm. It’s deep groove music he made, with a sound as indebted to the beat as funk, and as enamored of repetition as an incantation. In Hooker’s greatest recordings, repetition bred intensity, both in his guitar playing and in his vocals which, in their chanting, droning cadence, could reach the transcendence of devotional singing.